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Sunday, May 22, 2011

Pope Benedict XVI spoke with astronauts aboard the International Space Station yesterday, marking the first time a pope has conversed with astronauts in orbit.

Organized by the European Space Agency (ESA), the call originated from the Vatican Library at 7:11 am Eastern time. German ESA astronaut Thomas Reiter, president of the Italian Space Agency Enrico Saggese, and General Giuseppe Bernardis of the Italian Air Force were also in the room at the Vatican. Aboard the spacecraft were Italian, U.S., and Russian crew members of the Endeavour STS-134 mission and Expedition 27.

Endeavour commander and U.S. astronaut Mark Kelly greeted His Holiness aboard the spacecraft. The Pope wished Kelly’s wife, Arizona Rep. Gabrielle Giffords, well as she recovers from an assassination attempt that took place in January. Doctors inserted a hard plastic implant, or a bone flap, into Giffords’s skull last Wednesday. The Pope also asked of the astronauts’ impressions of the planet from space.

“We fly over most of the world and we don’t see borders, but at the same time we realize that people fight with each other and there is a lot of violence in this world,” Kelly said. The Pope sent his condolences to Italian astronaut Paolo Nespoli, whose mother died earlier this month while he was in space.

Wednesday, September 24, 2008

So far, the news on the U.S. presidential election has been dominated by Republican Party and Democratic Party nominees John McCain and Barack Obama. However, recently, some “third party” candidates have begun to gain notoriety, namely Libertarian Party nominee Bob Barr and independent Ralph Nader.

Unbeknownst to many, there are several other minor party candidates in the race. One of them is New American Independent Party nominee Frank McEnulty. McEnulty has been interviewed several times by Wikinews over the past few months, but in one held earlier this week with reporter Joseph Ford, he went into detail on why he’d be a good president, why its necessary to support a third party candidate this year, and most importantly, why you should give him your vote.

The interview can be read below.

Friday, August 30, 2013

Workers including drivers for Kuehne and Nagel Drinks Logistics (KNDL) have voted in favour of striking. KNDL, which delivers beer and soft drinks to about 30,000 locations in the UK, was in talks with Unite yesterday to try and resolve the dispute.

The vote is a response to a proposed restructuring in which a number of operations currently performed at the firm’s 29 distribution centres would be relocated to three new ‘super-hubs’. Although no distribution centre closures are currently planned, the union says workers fear future job losses, and are also concerned products will spend more time on the road, spoiling the taste of beer.

A Unite official said “We have tried to engage with the company but they have repeatedly failed to resolve this dispute.” A KDNL spokeswoman said “We are committed to continuing dialogue with Unite in order to reach a resolution before any action is taken.” She also pointed out Unite is yet to decide dates for the strike; Unite has described “one final chance” to resolve the dispute.

A Unite ballot of 970 KNDL employees produced a turnout of 64% of which 85% voted to strike. The distribution centres involved are mostly in England, but sites in Aberdeen, Dundee, Bathgate, and Inverness in Scotland and Swansea in Wales are also affected.

KNDL delivers high-profile brands including Britvic soft drinks and Heineken, Kronenbourg, and Fosters beer. Customers include chains Weatherspoons, Enterprise Inns, and Trust Inns, and airports, cinemas, and leisure centres. Even Premier League football clubs are among KNDL’s delivery rounds.

Saturday, October 6, 2007

Few artists ever penetrate the subconscious level of American culture the way RuPaul Andre Charles did with the 1993 album Supermodel of the World. It was groundbreaking not only because in the midst of the Grunge phenomenon did Charles have a dance hit on MTV, but because he did it as RuPaul, formerly known as Starbooty, a supermodel drag queen with a message: love everyone. A duet with Elton John, an endorsement deal with MAC cosmetics, an eponymous talk show on VH-1 and roles in film propelled RuPaul into the new millennium.

In July, RuPaul’s movie Starrbooty began playing at film festivals and it is set to be released on DVD October 31st. Wikinews reporter David Shankbone recently spoke with RuPaul by telephone in Los Angeles, where she is to appear on stage for DIVAS Simply Singing!, a benefit for HIV-AIDS.

DS: How are you doing?

RP: Everything is great. I just settled into my new hotel room in downtown Los Angeles. I have never stayed downtown, so I wanted to try it out. L.A. is one of those traditional big cities where nobody goes downtown, but they are trying to change that.

DS: How do you like Los Angeles?

RP: I love L.A. I’m from San Diego, and I lived here for six years. It took me four years to fall in love with it and then those last two years I had fallen head over heels in love with it. Where are you from?

DS: Me? I’m from all over. I have lived in 17 cities, six states and three countries.

RP: Where were you when you were 15?

DS: Georgia, in a small town at the bottom of Fulton County called Palmetto.

RP: When I was in Georgia I went to South Fulton Technical School. The last high school I ever went to was…actually, I don’t remember the name of it.

DS: Do you miss Atlanta?

RP: I miss the Atlanta that I lived in. That Atlanta is long gone. It’s like a childhood friend who underwent head to toe plastic surgery and who I don’t recognize anymore. It’s not that I don’t like it; I do like it. It’s just not the Atlanta that I grew up with. It looks different because it went through that boomtown phase and so it has been transient. What made Georgia Georgia to me is gone. The last time I stayed in a hotel there my room was overlooking a construction site, and I realized the building that was torn down was a building that I had seen get built. And it had been torn down to build a new building. It was something you don’t expect to see in your lifetime.

DS: What did that signify to you?

RP: What it showed me is that the mentality in Atlanta is that much of their history means nothing. For so many years they did a good job preserving. Don’t get me wrong, I’m not a preservationist. It’s just an interesting observation.

DS: In 2004 when you released your third album, Red Hot, it received a good deal of play in the clubs and on dance radio, but very little press coverage. On your blog you discussed how you felt betrayed by the entertainment industry and, in particular, the gay press. What happened?

RP: Well, betrayed might be the wrong word. ‘Betrayed’ alludes to an idea that there was some kind of a promise made to me, and there never was. More so, I was disappointed. I don’t feel like it was a betrayal. Nobody promises anything in show business and you understand that from day one.

But, I don’t know what happened. It seemed I couldn’t get press on my album unless I was willing to play into the role that the mainstream press has assigned to gay people, which is as servants of straight ideals.

DS: Do you mean as court jesters?

RP: Not court jesters, because that also plays into that mentality. We as humans find it easy to categorize people so that we know how to feel comfortable with them; so that we don’t feel threatened. If someone falls outside of that categorization, we feel threatened and we search our psyche to put them into a category that we feel comfortable with. The mainstream media and the gay press find it hard to accept me as…just…

DS: Everything you are?

RP: Everything that I am.

DS: It seems like years ago, and my recollection might be fuzzy, but it seems like I read a mainstream media piece that talked about how you wanted to break out of the RuPaul ‘character’ and be seen as more than just RuPaul.

RP: Well, RuPaul is my real name and that’s who I am and who I have always been. There’s the product RuPaul that I have sold in business. Does the product feel like it’s been put into a box? Could you be more clear? It’s a hard question to answer.

DS: That you wanted to be seen as more than just RuPaul the drag queen, but also for the man and versatile artist that you are.

RP: That’s not on target. What other people think of me is not my business. What I do is what I do. How people see me doesn’t change what I decide to do. I don’t choose projects so people don’t see me as one thing or another. I choose projects that excite me. I think the problem is that people refuse to understand what drag is outside of their own belief system. A friend of mine recently did the Oprah show about transgendered youth. It was obvious that we, as a culture, have a hard time trying to understand the difference between a drag queen, transsexual, and a transgender, yet we find it very easy to know the difference between the American baseball league and the National baseball league, when they are both so similar. We’ll learn the difference to that. One of my hobbies is to research and go underneath ideas to discover why certain ones stay in place while others do not. Like Adam and Eve, which is a flimsy fairytale story, yet it is something that people believe; what, exactly, keeps it in place?

DS: What keeps people from knowing the difference between what is real and important, and what is not?

RP: Our belief systems. If you are a Christian then your belief system doesn’t allow for transgender or any of those things, and you then are going to have a vested interest in not understanding that. Why? Because if one peg in your belief system doesn’t work or doesn’t fit, the whole thing will crumble. So some people won’t understand the difference between a transvestite and transsexual. They will not understand that no matter how hard you force them to because it will mean deconstructing their whole belief system. If they understand Adam and Eve is a parable or fairytale, they then have to rethink their entire belief system.

As to me being seen as whatever, I was more likely commenting on the phenomenon of our culture. I am creative, and I am all of those things you mention, and doing one thing out there and people seeing it, it doesn’t matter if people know all that about me or not.

DS: Recently I interviewed Natasha Khan of the band Bat for Lashes, and she is considered by many to be one of the real up-and-coming artists in music today. Her band was up for the Mercury Prize in England. When I asked her where she drew inspiration from, she mentioned what really got her recently was the 1960’s and 70’s psychedelic drag queen performance art, such as seen in Jack Smith and the Destruction of Atlantis, The Cockettes and Paris Is Burning. What do you think when you hear an artist in her twenties looking to that era of drag performance art for inspiration?

RP: The first thing I think of when I hear that is that young kids are always looking for the ‘rock and roll’ answer to give. It’s very clever to give that answer. She’s asked that a lot: “Where do you get your inspiration?” And what she gave you is the best sound bite she could; it’s a really a good sound bite. I don’t know about Jack Smith and the Destruction of Atlantis, but I know about The Cockettes and Paris Is Burning. What I think about when I hear that is there are all these art school kids and when they get an understanding of how the press works, and how your sound bite will affect the interview, they go for the best.

DS: You think her answer was contrived?

RP: I think all answers are really contrived. Everything is contrived; the whole world is an illusion. Coming up and seeing kids dressed in Goth or hip hop clothes, when you go beneath all that, you have to ask: what is that really? You understand they are affected, pretentious. There’s nothing wrong with that, but it’s how we see things. I love Paris Is Burning.

DS: Has the Iraq War affected you at all?

RP: Absolutely. It’s not good, I don’t like it, and it makes me want to enjoy this moment a lot more and be very appreciative. Like when I’m on a hike in a canyon and it smells good and there aren’t bombs dropping.

DS: Do you think there is a lot of apathy in the culture?

RP: There’s apathy, and there’s a lot of anti-depressants and that probably lends a big contribution to the apathy. We have iPods and GPS systems and all these things to distract us.

DS: Do you ever work the current political culture into your art?

RP: No, I don’t. Every time I bat my eyelashes it’s a political statement. The drag I come from has always been a critique of our society, so the act is defiant in and of itself in a patriarchal society such as ours. It’s an act of treason.

DS: What do you think of young performance artists working in drag today?

RP: I don’t know of any. I don’t know of any. Because the gay culture is obsessed with everything straight and femininity has been under attack for so many years, there aren’t any up and coming drag artists. Gay culture isn’t paying attention to it, and straight people don’t either. There aren’t any drag clubs to go to in New York. I see more drag clubs in Los Angeles than in New York, which is so odd because L.A. has never been about club culture.

DS: Michael Musto told me something that was opposite of what you said. He said he felt that the younger gays, the ones who are up-and-coming, are over the body fascism and more willing to embrace their feminine sides.

RP: I think they are redefining what femininity is, but I still think there is a lot of negativity associated with true femininity. Do boys wear eyeliner and dress in skinny jeans now? Yes, they do. But it’s still a heavily patriarchal culture and you never see two men in Star magazine, or the Queer Eye guys at a premiere, the way you see Ellen and her girlfriend—where they are all, ‘Oh, look how cute’—without a negative connotation to it. There is a definite prejudice towards men who use femininity as part of their palette; their emotional palette, their physical palette. Is that changing? It’s changing in ways that don’t advance the cause of femininity. I’m not talking frilly-laced pink things or Hello Kitty stuff. I’m talking about goddess energy, intuition and feelings. That is still under attack, and it has gotten worse. That’s why you wouldn’t get someone covering the RuPaul album, or why they say people aren’t tuning into the Katie Couric show. Sure, they can say ‘Oh, RuPaul’s album sucks’ and ‘Katie Couric is awful’; but that’s not really true. It’s about what our culture finds important, and what’s important are things that support patriarchal power. The only feminine thing supported in this struggle is Pamela Anderson and Jessica Simpson, things that support our patriarchal culture.

Tuesday, June 30, 2020

Recently, Finnish open-source video game developer Perttu Ahola discussed Minetest, his “longest ever project”, with Wikinews.

Started in October 2010, Minetest was an attempt by Ahola to create a sandbox game similar to Minecraft. Minecraft is a multi-platform commercial game, which was in alpha version when Ahola challenged himself to create something similar to it from scratch, he told Wikinews.

Minetest is an open-source game, which is free for anyone to download and play. It is written in the C++ programming language, and the source code is available on code-hosting site GitHub. According to Ahola, Minetest attempts to run on older hardware, with limited graphics, but to be accessible to more people: those who have outdated technology, and making it available for no cost. Minecraft, on the other hand, is a paid game, currently costing USD 26.95 for its computer version. Minecraft is currently owned by Microsoft, and performs poorly on older hardware.

A correspondent from French Wikinews contacted Perttu Ahola via Internet Relay Chat a few weeks ago, discussing Minecraft. This interview is built on top of the previous interview, as we take a deeper dive into knowing more about this free game which is about to turn ten years old in a few months.

Wednesday, January 11, 2012

A United States Coast Guard crew rescued six Iranian seamen from a ship in distress yesterday. The cargo ship Ya-Hassan was rescued about 50NM (92.6km) off the coast of Umm Qasr, Iraq. The ship’s engine room had flooded. This is the second time within a week that a United States crew has rescued Iranian citizens.

According to the United States Navy, the Ya-Hassan signaled Coast Guard cutter Monomoy around 3 a.m. local time (0000 UTC) with signal flares and flashlights. Once rescued, the seamen were given water, blankets, and a meal prepared according to Islamic dietary laws. One of the crew members was treated onboard the Monomoy for minor injuries.

The rescued seamen were eventually given over to Iranian Coast Guard vessel Naji 7. The US Navy said the captain of the Naji 7 “thanks us for our cooperation.”

On January 5, a US Navy vessel escorting the USS John C. Stennis rescued 13 Iranian sailors who were being held by pirates. The United States, by its own account, often rescues ships in foreign waters, but has been publicizing the rescue of Iranian ships because of increased tensions between the United States and Iran.

Sunday, October 28, 2007

Bayern Munich remained undefeated in all competitions after a 0-0 draw against Borussia Dortmund. The draw leaves Bayern at the top of the table with 27 points. However, the lead is down to four points after Hamburg’s 1-0 win against Duisburg.

Franck Ribery didn’t pass a late fitness test and didn’t make the 18-man strong matchday squad. Luca Toni, Martin Demichelis an Jose Ernesto Sosa replaced Lukas Podolski, Philipp Lahm and Hamit Altintop. Jose Ernesto Sosa returned after being sidelined for almost two months after ankle surgery.

Bayern Munich and Borussia Dortmund exchanged plenty of chances and almost had a 50/50 possession between them.

Bayern Munich plays Borussia Mönchengladbach at home in the DFB Cup while Borussia Dortmund plays Eintracht Frankfurt in the same competition.

Tuesday, May 27, 2008

Google, the owners of YouTube, claimed in a court briefing today that the one billion dollar lawsuit against the company “threatens the way hundreds of millions of people legitimately exchange information.”

Viacom Inc. is suing Google over 150,000 videos, for which Viacom owns the copyright, that were allegedly being shown on YouTube. Google has responded by saying that they followed the Digital Millennium Copyright Act, which prevents companies from being prosecuted if they bring down copyrighted content as soon as they are made aware of it. “Viacom’s lawsuit challenges the protections of the Digital Millennium Copyright Act that Congress enacted a decade ago to encourage the development of services like YouTube,” said Google. “Congress recognized that such services could not and would not exist if they faced liability for copyright infringement based on materials users uploaded to their services. It chose to immunize these services from copyright liability provided they are properly responsive to notices of alleged infringement from content owners.”

“Looking at the online world today, there is no question that Congress made the correct policy choice,” Google continued. “Legitimate services like YouTube provide the world with free and authorized access to extraordinary libraries of information that would not be available without the DMCA — information created by users who have every right to share it.”

Google then claimed that “YouTube also fulfills its end of the DMCA bargain, and indeed goes far beyond its legal obligations in assisting content owners to protect their works.”

Saturday, November 4, 2006

On November 13, Toronto residents will be heading to the polls to vote for their ward’s councillor and for mayor. Among Toronto’s ridings is Toronto Centre (Ward 28). One candidate responded to Wikinews’ requests for an interview. This ward’s candidates include Howard Bortenstein, Holly Cartmell, Baquie Ghazi, Connie Harrison, Yaqoob Khan, Pam McConnell (incumbent), and Catherina Perez.

For more information on the election, read Toronto municipal election, 2006.